2/11/2024 0 Comments Bazinhuman hand intervened cast a shadow of doubt over the image is unavoidable.Thenceforth painting was torn between two ambitions: one, primarily aesthetic, namely the expression of spiritual reality wherein the symbol transcended its model the other, purely psychological, namely the duplication of the world outside. The artist was now in a position to create the illusion of three-dimensional space within which things appeared to exist as our eyes in reality see them. The decisive moment undoubtedly came with the discovery of the first scientific and already, in a sense, mechanical system of reproduction, namely, perspective: the camera obscura of Da Vinci foreshadowed the camera of Niepce. However, in the fifteenth century Western painting began to turn from its age-old concern with spiritual realities expressed in the form proper to it, towards an effort to combine this spiritual expression with as complete an imitation as possible of the outside world. “painting, the world over, has struck a varied balance between the symbolic and realism.
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